Opening Reception – YLA 22: ¡Ahora! & Capricho

Mark your calendars for Mexic-Arte YLA 22 Opening Reception in Austin, Texas


Opening Reception
Date: Friday, July 14, 2017
Member Preview: 6 – 7PM
Public Hours: 7 – 9PM
Admission: $10 General Admission, Free for Museum Members
Refreshments: Antojitos & Specialty Cocktails
Live Music: Tiarra Girls 8 – 9PM
Parking: $10 at Frost Bank Tower Parking Garage on Brazos & 4th St. (enter on 4th St.)

YLA 22: ¡Ahora!, guest curated by Alana Coates, marks the twenty-second installment of the emerging Latinx artist exhibition series at Mexic-Arte Museum. In an era of socio-political upheaval in the United States – from U.S.-Mexico border relations, to widespread economic inequalities, increased racial tensions, and subsequent hate crimes on the rise across the country – the selected artists navigate matters of gender restrictions, immigration politics, cultural heritage, and privilege. Their artworks confront viewers with prominent issues of the contemporary Latinx experience in the United States.

YLA 22 Featured Artists
Nansi Guevara (Laredo, Texas), Daniela Cavazos Madrigal (Laredo, Texas), Mark Anthony Martinez (San Antonio, Texas), Michael Martinez (San Antonio, Texas), Paloma Mayorga (Austin, Texas), Ashley Mireles (San Antonio, Texas), Andrei Rentería (Chihuahua City, Mexico/ Presidio, Texas), and José Villalobos (El Paso, Texas).


Capricho is a project by artist Mark Menjivar that activates the archives of his late grandfather, Joe Font. Originally from Puerto Rico, Font extensively photographed various places in Latin America for a period of over 30 years. A main component of the project is a book of photographs taken by Font, which has contextual information added by family and friends at his funeral. Menjivar complied, scanned, and laid out these archives into a new book with some hand written text. Additionally, Menjivar will work with families in the community to tend to their own family archives and create meaningful projects that reveal a shared human experience.


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